Monday, February 22, 2010

SUPERSTAR! A Tribute to Mario Montez



DON'T MISS THIS DATE!

March 31, 2010 - 10 AM - 5 PM, with a reception to follow

Davis Auditorium, Schapiro Hall
538 West 120th Street
New York, New York 10027

Columbia University's Center for the Study of Ethnicity and Race presents its inaugural Artists at the Center event: SUPERSTAR! A Tribute to Mario Montez

Superstar! is a one-day conference celebrating and discussing the career of one of New York's most gifted performers.

Born in Puerto Rico in 1935, Montez moved to New York while still a child. He first appeared on screen in Jack Smith's queer classic Flaming Creatures (1962-63). Later he became Andy Warhol's first drag superstar, starring in more than ten of his films.

For the first time in 30 years, Mr. Montez will return to New York to talk about his work and life.  Joining him will be Callie Angell, Douglas Crimp, Arnaldo Cruz-Malavé, Ronald Gregg, Maja Horn, Branden Joseph, Agosto Machado, Ricardo Montez, Frances Negrón-Muntaner, Marc Siegel, and Carmelita Tropicana.


Event Sponsors:
Center for the Study of Ethnicity and Race, *Columbia University*
CC/SEAS Office of Multicultural Affairs, *Columbia University*
Hemispheric Institute for Performance and Politics, *New York University*
Institute for Research on Women and Gender, *Columbia University*
Barnard Center for Research on Women, *Barnard College*
Department of Spanish and Portuguese, *Columbia University*
Center for the Critical Analysis of Social Difference, *Columbia University*
Department of Spanish and Latin American Cultures, *Barnard College*
Department of Theatre, *Barnard College*
Department of English and Comparative Literature, *Columbia University*

Sunday, February 7, 2010

"Ricardo Alegría tiene un bigote mágico que le otorga poderes sobrenaturales."




Arlene Davila recently shared this lovely tongue-in-cheek ode to Ricardo Alegría by Los Niños Estelares. " "Alegría Doctor Alegría" is the first video off of their album Námaste.  This video does an awesome job of showing the crucial role Alegría had in shaping ideas about Puerto Rican cultural patrimony, in addition to lampooning Alegría's  near mythic status.

Estás cabrón!

Friday, January 29, 2010

Every Book



"You could stop with every girl in the world, I just want to read every book in the world"

This is a really smart and funny parody of Young Money's "Every Girl."  I won't hold it against 2-Cents that Michael Eric Dyson pops up at the end. 

High Femme

Tuesday, January 26, 2010

'09 Rap Up



Skillz is back at it welcoming us to 2010.

Sunday, January 24, 2010

Reggaeton and "Hurban Renewal"

What up mi gente! I'm back from Mexico and trying to get back into the swing of regular blogging again, but in the meantime please check out "Huban Renewal" -- a fantastic post by Wayne Marshall on the hurban music boom and bust, reggaeton, and Dominican dembow.















Chévere!

Monday, January 4, 2010

A Nuyorican in Mexico


What up mi gente! I'll be in Mexico until the end of January.  I'll be revamping the site when I get back and hosting a guest blogger or two, so be sure to check back with us at the end of the month. 

'Til we meet again!

Sunday, December 27, 2009

Tigeraso



Maluca was described to me by one of my friends as a Dominicana M.I.A., which definitely has to do with this awesome Diplo produced track.  I'm looking forward to hearing and seeing more!

Thursday, December 17, 2009

Navidad El Remix





Because your holidays don't have to be Jose Feliciano on repeat anymore...
Happy holidays mi gente

Friday, December 11, 2009

La Musica del Futuro?



Friends and followers of this blog might remember that I have written about Deevani (Ines Rooney) and how she upsets a linear narrative about reggaeton's development by highlighting a number of often neglected circuits.

Here is her latest collaboration with Fuego (from Chosen Few) called "Que Buena Tu Ta."  While I have qualms about some of the imagery in the video, I do think sonically it's interesting to consider the fact that these two Dominican artists, one singing in Hindi, are able to skillfully blend Bhragra-pop, mambo urbano, and reggaeton thus highlighting the various movements of  what we recognize today as "Caribbean rhythms."

Pretty dope if you ask me.  Thoughts?