Tuesday, November 3, 2009

"No Maricón"



Lil Wayne get's bilingual on his new mixtape "No Ceilings" and breaks us of with this No Homo gem @ 2:10 into the track:
Versatile as fuck I switch it up, like Dennis Rodman don't
No homo you rock and roll, rest in peace my Styrofoam
Now they won’t know what I be on
Get the fuck off, my dick my cock my bone
Big money my pockets long, New Orleans I got my home
And they got my back, pause, no homo no maricón
The "No Ceilings" mixtape is packed with a lot of interesting performances of masculinity.  I need more time to think on it, but I'm sure after I listen to the mixtape some more on my bus ride down to DC this weekend I'll have more to share.  

Monday, November 2, 2009

"The New Man, Under Construction"



 I recently wrote a review of the classic Cuban film Fresa y Chocolate for Left Turn. The issue is now out, please check out the review and the rest of the issue.

Sunday, November 1, 2009

Guanabee's "10 Favorite Latinas On The Web"

Yours truly made the cut!  It's an honor to be in the company of such rad Latinas!  This list also introduced me to "Karla's Closet" -- a fashion blog that is like an awesome Latina version of "The Sartorialist."  I hope to one day be able to properly dress myself and look so effortlessly cool (of course  with more buttondown shirts and less skirts than Karla).   Anyway, thanks to Guanabee and thanks to all of you who check the blog regularlly!

Our 10 Favorite Latinas On The Web

29 October 2009, 10:04 AM. By Alex Alvarez

Pictured: Karla of 'Karla's Closet'
Pictured: Karla of 'Karla's Closet'

We thought we’d take a lil’ time to share with you some of our very favorite Latinas currently representing on the web: Some deal explicitly with Latino issues, some don’t. Some are funny, some are creative, some are activists, all are uniquely amazing, inspiring women who, we think, are some of the best at what they do.

So, without further ado, here’s a list of our 10 Favorite Latinas on the Web. Feel free to add your own favorites in the comments:

1. Mariela Rosario (Latina.com)
Mariela is Latina.com’s editor, and focuses on such a wide range of issues (politics! travel! pop culture!), that we wonder how she’s able to do it all and do it well. Obviously, she’s a smartiepants. Or made of magic. What’s your secret, Mariela?

2. Gloria Shuri Nava (GlowPinkStah)
This Mexican-Filipina comedian makes the most hilarious YouTube videos, often presenting recognizable characters like your typical chola (Baby Smiley) and a rambling Filipina auntie, or makeup tutorials that will leave you looking so hot you can practically “smell” boys getting excited. When she’s finally hired by SNL, we can all look back and say we virtually knew her when.

3. Monica Herrera  (Billboard)
Not only is Monica one of the single nicest people on the internet, as Billboard.com’s Associate Editor, this woman kicks ass when it comes to sharing knowledge about music and the music industry.

4. Maegan “La Mala” Ortiz (VivirLatino)
As a VivirLatino contributer, poet Maegan writes about politics, identity and social issues with insight, passion and wit and without ever talking down to her audience. She takes that same brand of badassery over to her personal blog, Mamita Mala.

5. Karla Derass (Karla’s Closet)
Karla, a student and fashion blogger, is quite possibly the most stylish woman in all of L.A. - the way she finds and combines high and low, vintage and new is nothing short of inspired. And we wish we could rock a vintage blazer like she does.

6. Carrie (Bilingual in the Boonies)
A Cubana living in Tennessee, Carrie shares her thoughts on Latino media and culture while probably trying to hunt down the best medianoche the South has to offer.

7. Kathy Cano-Murillo (Crafty Chica)
Give Kathy some glitter, a bit of string and a pair of scissors and this woman would probably make you an outfit, a set of loteria tickets and a matching coin purse. Yeah, she’s that good.

8. Marisol Lebron (Post Pomo Nuyorican Homo)
PhD student Marisol, when she’s not coming up with excellent blog names, is busy writing about GLBT issues, pop culture and politics.

9. Noemi Martinez (Hermana, Resist)
Noemi’s blog started out as a zine - which automatically earns our respect - and now she uses it as a platform to share her beautifully-penned thoughts about culture and politics.

10. The crew at Vegans of Color (Vegans of Color)
Noemi also happens to be one of the bloggers behind Vegans of Color, where you can not only find recipes and dining option, but well thought-out discussions about the politics, social and identity issues surrounding veganism.

Thursday, October 29, 2009

American Studies Association Meeting 2009




What up mi gente!  My apologies for slacking on new posts, I've been busy applying for a certain national fellowship due on on November 2nd (you know who you are!) and preparing a paper for submission to a journal.  All and all I have no life outside of the confines of NYU's Bobst Library.  

I will however be venturing out into the world for the American Studies Association annual meeting being held in Washington DC from November 5-8.  Because this years conference is in DC my number one priority will be pigging out at the famous Ben's Chili Bowl -- YUM!

I'm not presenting, but I do want to shout out some of the amazing panels at this years conference.  So if you're planing on attending or you're in the area, be sure to check out these panels:

Under the Influence: Affective Historiographies of Queer Nightlife (Panelists: Karen Tongson, Lucas Hilderbrand, Ricardo Montez, and Homay King)
Time: Thursday, Nov. 5 @ 2pm, Building: The Renaissance DC Hotel, Room: Meeting Room 15

The queer past is comprised not only of communities but also of scenes—sites for nocturnal congregation centered on entertainment, art, dancing and elixirs. These queer scenes have often been underground, short-lived, and as fickle as fashion; they are also, historically, local in a way that is perhaps forgotten in an era when it seems that queer culture is all the same, regardless of the place.  This panel thus looks to queer nightlife scenes in a range of venues—from the Factory, to the Farm (Knott’s Berry Farm), to Max’s Kansas City and beyond—as productive sites that revise established narratives of queer history, and the telos of gay liberation. We seek collectively to reconceptualize 20th-century queer publics vis a vis localized nighttime amusements, in order to provide alternative, perhaps even more affective accounts of queer life in the recent past.


Salseras, Tortilleras, and Alien Invaders: Practices of Queer Latina Belonging (Panelists: Deborah Paredez, Melissa M. M. Hidalgo, and Stacy I Macias)
Time: Friday, Nov. 6 @ 8am, Building: The Renaissance DC Hotel, Room: Meeting Room 10

This panel explores how Latina cultural production-from staged performances and visual art to leisure dance forms like salsa-operates as an indispensable practice for queer Latina modes of belonging. Notions of belonging are critical to formulations of latinidad precisely because of the ways the concept is simultaneously flattened within global contexts as a homogenous market segment or voting bloc even while, for many Latina/os, alliances across latinidad's spectrum are often fraught by divisions across categories of nation, region, gender, and sexuality. In light of this conundrum, how do Latinas as cultural producers achieve, however fleetingly, or mark the limitations of belonging both within and beyond this context? Moreover, how do these performative practices queer prevailing understandings of Latina/o belonging within the United States? And what is it about artistic and embodied practice—as cultural process, product, and investigative method—that enables and/or delimits the possibilities of belonging? The papers on this panel take up these questions by documenting and analyzing cultural products, practices and the laboring Latina bodies that create them in efforts to mark and disrupt the often over-determined conditions of belonging within gendered constructs of latinidad.


Counter Citizenships in Latino Music (Panelists: Gema R. Guevara, Melissa Blanco Borelli, Licia Fiol-Matta, and Gaye Theresa Johnson)
Time: Friday, Nov. 6 @ 4pm, Building: The Renaissance DC Hotel, Room: Meeting Room 15

“Counter Citizenships in Latino Music” is an interdisciplinary panel featuring four multi-sited music analyses that utilize feminist, critical race, film, and queer studies theories to examine gender, sexuality and race as systematic forces of power that constitute formations of citizenship and belonging. Specifically, each of the presentations point to unique musical articulations of counter citizenship formations by being attentive to the nuanced performance, stylistic, and lyrical acts of Latina/o artists. With topics ranging from dance to voice— within regional, cross-border, and transnational music sites—each presenter uniquely argues for alternative modes of belonging that are counter to governing configurations of US as well as Latino citizenship produced through discourses of racial authenticity, homonormativity, and geo-political territoriality.


Promesa y Peligro: Dominican Narrations of Representation, Identity, and (Trans) National Belonging (Panelists: Lorgia Garcia-Peña, Carlos Decena, Afia Ofori-Mensa, and Light Carruyo)
Time: Saturday, Nov. 7 @12pm, Building: The Renaissance DC Hotel, Room: Meeting Room 10

This panel will explore questions of citizenship and belonging, departing from the specificity of Dominican transnational experiences. Our purpose is to de-center conventional notions of Americanness, which have historically—both inside and outside academia--been centered on the United States. At the same time, this panel proposes new ways of examining the historical and rhetorical tensions that exist between and within different forms of belonging. Through the analysis of historical documents (such as legal cases and military memos), print media, films, literature and oral interviews, our panel will engage a variety of marginalized Dominican subjects: the santero, the sex worker, the Haitian immigrant, and the “loca” (effeminate flamboyant homosexual man), to mention a few, in order to look at how certain practices and rituals have helped construct and sustain communities even at times of crisis. The panel departs from a historical analysis of important 20th century events that inform notions of national belonging for Dominicans on the island as well as in the Diaspora, concluding with a thoughtful discussion of current Dominican (island and abroad) communities and their role in fashioning, establishing and legitimating notions of civil and cultural belonging.


On the Unlikely Queer Subject (Panelists: Marcia Ochoa, Heather Love, and Sharon Holland)
Time: Sunday, Nov. 8 @ 8am, Building: The Renaissance DC Hotel, Room: Grand Ballroom South

This panel brings together papers from scholars in sexuality studies from various disciplines (Cultural Anthropology, Communication, English, and African American Studies) to speak about Unlikely Queer Subjects. As the conference theme is "Practices of Citizenship, Sustainability and Belonging," the panel takes up at least two of these categories by thinking about what kinds of belonging, and what practices of "citizenship" (especially through the category of the human) are at work when we consider different queer subjects. These papers try to think through several discursive locations for queer subjects. In many cases, the papers travel through the space of death – either with subjects or through the end(s) of human history – to re-think not only queer studies choice of object, but also about the ways in which we understand how that subject moves through (queer) time and space. Two of the papers here extend the call for "no future" in queer studies to those subjects who figuratively or literally inhabit the space of the dead, while the third paper attempts to remake the supposed nihilism of queer fashion as a creative politic. The panel ultimately challenges prevailing notions of non-reproductive being as always already an index of queer theorizing. One of the papers here speaks directly to the deaths of transgendered persons that occurred in the nation's capital in 2003.

Monday, October 19, 2009

"That's Gay"... No Homo



Thanks to Roberto "Tito" Soto-Carrion and Shirley Arceo for this gem. Damn, it seems like "no homo" is blowing up the media. It's interesting considering "no homo" has been around for like 5 or 6 years now. Craziness.

Sunday, October 18, 2009

Mayor of San Juan calls Residente Calle 13 a "Tecato"



The government is responding to Residente’s comments about the governor during the MTV Premios Latino by cracking down on his chances to address the public.  The Mayor of San Juan, Jorge Santini, recently canceled the Coors Light Circotic show that Calle 13 was supposed to appear at on October 31st at the Coliseo Roberto Clemente.  Santini said he was compelled to do this as  punishment for Residente's comments.  What did "Ley 7" affect free speech too?

In response to Residente’s insult Fortuno responded not by addressing the lay-offs and "Ley 7” but by speaking about how Residente, and musica urbana more generally, disrespect the women of Puerto Rico. Santini went so far as to call Residente a “tecato” [junkie].  In this way the conservative forces of Puerto Rico have attempted to use a discourse of concern for women and feminist agendas, in addition to attempts to marry musicia urbana to drugs and drug use, in order to avoid actually having to answer for the effects of neoliberalism on Puerto Ricans and the growing discontent among many sectors of the population.

Pathetic.

Friday, October 16, 2009

Calle 13 on the Oct. 15 General Strike in Puerto Rico




“América Latina no está completa sin Puerto Rico y Puerto Rico no es libre. Hoy 15 de octubre los puertorriqueños marcharon contra el desempleo, porque el gobernador de Puerto Rico los dejo sin trabajo y el gobernador de Puerto Rico es un hijo de la gran p…. Yo lo puedo decir porque sé y porque tengo influencia. Hoy los puertorriqueños estamos de pie”.

Now in English... "Latin American is not complete with out Puerto Rico and Puerto Rico isn't free. Today, October 15th, Puerto Ricans took to the streets to march against lay-offs because the Governor of Puerto Rico has left us without work, and the governor is a son of a bitch ...I can say this because I know, and I have influence. Today the Puerto Ricans take a stand.

Calle 13, who co-hosted the Premios MTV Latino last night, wore a shirt that read: “Viva Puerto Rico Libre” as he delivered his insult to Governor Luis Fortuño. Previously he had had on shirts that read: “Chávez nominado mejor artista pop” (seen above) and “Mercedes Sosa sonara x100pre”.

Source: Wikiton

Sunday, October 11, 2009

Comprendes El Berry?: A Note From L.A.

What up mi gente?! The UCLA Queer Studies Conference 2009 just wrapped up and it was fantastic. Thanks to all the people who made it out to our panel, "The Queer Vicissitudes of Hip Hop Expressive Culture."

As a New Yorker I find L.A. to be a bit of a strange town, there's smog, cars everywhere, and a "reggaeton station" that plays like 2 reggaeton songs per hour. I can't front on L.A.'s food scene though... Roscoe's Chicken and Waffles was like a religious experience. Nonetheless, L.A. was uncanny and my experience is summed up by the song "Watagatapitusberry."

Apparently I had missed the magical nonsense that is "Watagatapitusberry" while I was in NYC. As soon as we were on our way to the hotel from LAX we turned on Latino 96.3 and heard "Watagatapitusberry ."



This song only added to my L.A.- induced disorientation and confusion. What kind of madness was this? Every time I turned on the radio without fail the song came on and I only grew more confused. I mean, seriously, wtf is a "Watagatapitusberry" anyway? I'm still not cienporciento sure, but what ever "Watagatapitusberry" is its magical, silly, weird, and fungible. Check out all the different YouTube fan videos dedicated to this song.

This video is probably the most famous and has been circulating around the web for a while, inciting some questions about the queerness of the performance...



There are a ton of homosocial buddy videos of dudes just wildin' out together to "watagatapitusberry," like the ones below...





There are also a handful of videos of young women getting down and lipsyncing to the song...





A little co-ed number...



And last but certainly not least, watagatapitusberry para ninos....



I don't know what it all means but if you ask me how was L.A. I might respond "Watagatapitusberry" (QUE?!)

Tuesday, October 6, 2009

Punketon Dominicano



What up mi gente!? Long time no blog, but I'm back with this gem... Skeem ft. Lapiz Conciente: "Tirense Too!!"

This video is SO layered, really dope.

I'm always on the prowl for what I'm calling "Punketon," reggaeton videos and songs that integrate significant rock/punk aesthetics and sounds. So Naldo's new album and the video for "No Existen Detalles" and Musicologo's "Llamdo de Emergencia" definitely are good examples. This video falls into the Punketon category (although uneasily since both Skeem and Lapiz are rappers, but both dabble in Dominican reggaeton).

This video is so interesting to me because its layered with all these musical mezclas. This is a rock-rap/reggaeton-fusion performed by two Dominicanos who sing in English and Spanish and throw in Jamaican slang for good measure. Reggaeton's socio-sonic-circuitry indeed!

If this is the future trajectory of reggaeton, or musica urbana, or whatever bring it on!!!

Wednesday, September 30, 2009

Tortilleras Unidas! The Radical Feminist Queer Sex Positive Potential of Reggaeton



"Dembow dembow sometimes I use a dildo, oh no, oh no, I even got one that glows."

Celiany Rivera Valazquez introduced me to this amazing video by La Perfomera (Awilda Rodriguez). I love this video and it really nails all the radical feminist queer sex positive potential I see in reggaeton music and culture. Because so much of the discourse about reggaeton focuses on how it oppresses women, we often miss how women are engaging with and transforming the genre into a vehicle to address the complexities of sexuality and desire. The emphasis on reggaeton's hetero-masculinity also obscures how reggaeton, perreo, and la pista, provide spaces for homosocial and homoerotic bonding among women (women dancing perreo with other women is a common sight and practice, although it often gets dismisses as for the benefit of males, which is too simplistic an analysis of whats going on). This video gestures towards the pleasures of reggaeton for women and has fun with it.

Anyway, more to thoughts to come, but in the meantime enjoy this fantastic video by La Performera.